February 2012
12 posts
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Cooking For Assholes →
Featuring dishes like “blumpkin pie”.
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brephophagist.: re: Question for the techies →
jamestelfordmusic:
Wow! Thanks very much. I’ve got the free version of Renoise and have been messing around and getting a good idea of what you mean. It does basically come down to the speed thing; I can see a way of doing it with Ableton, but that way would take months, whereas Funk says he makes each track within a couple of days (unless he’s trolling us all, which I wouldn’t put past him).
...
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re: Question for the techies
jamestelfordmusic:
Has anybody made any fairly hardcore drill ‘n’ bass/breakcore beats that glitch, a la venetian snares etc. on Ableton? I’ve been trying for days now, messing around with beat repeaters and so on, but I can’t seem to get it to work at all. I emphasise the Ableton point cos I don’t really have the money to spend on a tracker like Renoise, and all the forums have to say on the...
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January 2012
64 posts
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Instant Karma
fartings:
are you white? do you want to be popular on the internet? do I have the solution for you: just talk about how much you hate being white, works every time
by “popular”, emilee of course means “swiftly and justly butthurt”
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Letters of Note: Tiger Oil Company →
This whole site is super-amazing. Thx go to velograph.
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Liveblogging Melancholia: final scene
Well you can say one thing for Lars von Trier: he’s not afraid of closure.
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Liveblogging Melancholia: 01:48:00ish
HAY?!!!!??
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Liveblogging Melancholia: start of part 2 (ish)
my girlfriend really doesn’t like Kirsten Dunst, and I think that by-the-bath scene may have scarred her a little.
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Liveblogging Melancholia: end of part 1
Overall impression so far: this is like The House of Yes, except with 10% of the dialogue, 200% of the broodiness, and way more fascination with imagery.
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Liveblogging Melancholia: 00:52:04
That ain’t a pushup bodice, it’s a shove-up bodice.
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Liveblogging Melancholia: 00:38:15
Maybe I’m just expecting too much heartbreaking evil shit from Lars Von Trier given the title, but… who else thought that was gunna turn into some sort of sex favor proposition?
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Liveblogging Melancholia: 00:18:30
[new art director]
DEAD GIRLS ARE REVOLUTIONARY
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Liveblogging Melancholia: 00:09:45
[kissing in the limo]
I’m sure somewhere there’s a Nazi beating off to this.
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Liveblogging Melancholia: 00:06:05
I’m doing this because there’s no one in this theater*, and I can.
at this time:
WHAT
THE
FUCK
Yeah, yeah, symbolism, extravagance, opera, yodel for me passionately. Get to a fucking story already, Matthew Barney.
* - [wink]
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tomorrowsghosts asked: Wait, are they from France? If so, go for blood. They can take it. I may just be saying this because I now want to see this art atrocity.
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ethical dilemma #2
When your unsolicited opinion is requested on some mediocre art, is it better to:
just ignore it and hope it’ll go away? (this could take the guise of offering banal platitudes or generalities, etc.)
offer constructive criticism, hoping even the most misguided can change with honest feedback?
go for blood, because this world is too nice and lovely to spoil it with something this...
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GLaDOS voice generator →
Major geek points … this guy is queuing runs of Celemony Melodyne inside Wine.